Friday, July 31, 2015

Electroshock Therapy

Sometimes,
When I start to think of mistakes I have made,
It is difficult to stop feeling bad about myself,
And sadness can overwhelm me.
It takes, sometimes,
A punch in the stomach,
A sudden jolt,
To bring me back from the pit,
Safe from the danger
Of the monster in that abyss.

I touched an electric fence once,
Without knowing how it would feel.
It felt like is been kicked by a horse.
I know this because, later,
I was kicked by a horse, too.
In both cases I learned
To be more careful
Around electric fences
And horses.
Don't stand in their blind spot,
And don't let them stand in yours.
Approach cautiously,
Keep your distance when you don't have to be close,
And by all means,
Don't touch the damn things,
At least not the fences.

I know why that fence shocked me:
It was electrified.
There was a box in grandpa's garage
That pulsed a million volts through the tensile wire,
Supported off the ground by PVC pipes.
The wire went high overhead,
Through the back yard,
And down by the north end of the garden,
And around the pasture where the black-faced steers regarded me cautiously,
Licking their mouths with long, grey tongues,
Blowing snuffs of air through their nostrils.

I touched the fence,
And did again,
Many times.
Though subsequently,
By accident only,
Not ignorance.
I knew the fence was close,
And dangerous,
But I, perhaps,
Walked too carelessly close,
Or was unfamiliar with the length of my growing arms,
Or the conductivity of dewey grass,
Or the strange oscillation
Of three hundred fifty feet of eight gauge wire,
After bumping the PVC post
Ten seconds earlier.

I'm certain my father had cautioned me many times:
Do not touch the wire.
Stand farther off.
Be careful near the pasture.
Back up from the fence.
But I would learn the hard way.
Again, and again.

If you've never felt it,
Or even if you have,
It feels like this:
Someone yanks your arm suddenly,
A hitting and pulling in all directions,
All at once.
You hear it when it happens,
Inside your eardrums,
The throbbing off your heart
Beneath your armpits.
The first time is overwhelming confusion,
And I was lucky to have my dad there to yell at me,
"Get away from the wire!"
He knew better than I why I felt that way.
Subsequently,
I was never confused,
Not by the jolt, at least,
Perhaps by my surprise
That the wire had reached out and grabbed me,
Like a living thing
I thought I had minded my distance.

I am not afraid of an electrified fence.
Nor a horse.
But I mind my distance, now.

At least,
Near the pasture.

Up in Idaho

There's a hell of a story
A man in his thirties wrote

About the comfort of light,
And a little more rum,

To him who accepts nothing
Into his heart,

And receives in double portion
The brilliant light of glory

Bestowed upon him
By the Thief of Polyphemus,

Who sailed 20 years
Visiting the beds of goddesses,

Whose honor was upheld
By chaste Penelope.

"Look at how honorable I am
As I string my bow!"

"Look at how strong this old man is
As he catches this damned fish!"

Find a cafe,
Hard man.

No marlin will take the bait
As triumphantly as you imagine,

Nor lion die without ugly convulsions,
Bleeding on the plains of Kenya.

Nothing easily penetrated
The hunter's thick hide.

Shoot for the head.
Pull both triggers.

Open up the place.
Let in some light.

Tuesday, July 28, 2015

Song of the Lord

Hear, O Israel:
The Lord is One.
Hear, you nations of the Earth:
The Lord is One.

Hear, you Sons of Gideon:
The Lord is Victory.
Hear, you Daughters of Zion:
The Lord is Refuge.

Hear, O Judah:
The Lord is Mighty.
Hear, O Benjamin:
The Lord is Favor.

Who can turn away from the Lord?
Who can resist His judgment?
Who can live without breath?
Who can make a still heart beat?

Who is the Lord?
Who can sit upon His throne?
The Law of the Lord is perfect.
Of whom shall I be afraid?

I will wake in the morning and know the Lord's peace.
I will take my meal at noontime under the shelter of His presence.
I will lie down in the evening with wolves and lions and fear only Him.
I will lie down with my fathers in His presence.

Who shall fear?
Those who do not acknowledge Him.
Who shall be afraid?
Those who have no trust in Him.

Here are the delights of man,
Here are the the gods he serves:
The gods of his intellect.
The gods of reason.

Make your gods of stone.
Bow down to them.
Offer to them your children.
Surrender to them your gifts.

What can Time do for you, but bring you to destruction?
What can Time accomplish, but lead you to the grave?
Time is the eternal jester of the foolish king,
The rebellious child of man who bears no fruit.

Where does Money dwell, and who is his counsel?
What comfort does it bring to its people?
Money teaches its servants what they do not have,
Picking the pockets of the wealthy.

Sit now with the Lord and dwell now in His presence.
Take nothing but the gifts He brings.
He fills His vessels with delight.
The universe expands within His chosen people.

Wednesday, July 22, 2015

Bone of My Bones

As that old Zebra walked past Adam's gaze,
He recognized a feeling in his chest
That'd gone without a name since Yahweh'd raised
Him up from the red clay and passed a breath
In through his nose. Still, Adam could not describe
This feeling that he felt between heartbeats
That lingered there just underneath his rib
Till Yahweh closed his eyes and made him sleep.
Alone, he drifted to a dreamy world
Where emptiness inside himself poured out
His chest and took the form of naked girl,
Who wrapped her arms about him and caressed
His bearded face. Then he with sudden shout
Awoke, and named the feeling loneliness.

Friday, July 17, 2015

Poem of Reflection on Anger Expressed

Met with injustice,
I become justice.
The Lord is righteous.
Shall He be opposed?

Which nail shall I receive through my palm?
Which nail shall pass through my feet?
Do you bring offerings to me,
You who bow before Ba'al?

Am I the Lord?
I am.
Am I Buddhist?
I was.
Am I now human?
I will be.

Don't tell me about Atman.
Don't tell me about Je-Ho-Vah.
Do you see the Face of God in another?
Why do you not see the Face of God in me?

God is forgiving.
God is fierce.
The Lord is Righteous
And will remain.

Wednesday, July 15, 2015

Louisville Slugger

When I was eight years old,
We had Christmas at Uncle Jim's,
Who lived at the end of the lane
Just up the gravel road from Grandma's house.

Beneath the tree
That stood, full bodied, before the north window of the living room,
Surrounded by presents packed five boxes high,
A long, cardboard cylinder, wrapped in green paper,
Leaned against the wall.

"Benny," the tag read.
I didn't know what it was,
But when I popped open the end of that long tube
And stuck my hand in to feel what was inside,
Grabbing the long, hard handle of that wooden bat,
My heart began to beat with excitement.

I pulled,
And out she came,
Twenty-seven inches long,
"Louisville Slugger" burned into the ashen barrel,
White maple,
Varnished gloss.

Who knows how I spent the rest of that day,
Climbing haystacks in the barn,
Ducking under the electrified fence,
Chasing black cows in the frozen pasture?

By the end of the day, I'd forgotten about that bat,
Sleeping in the back of the wood-paneled Buick station wagon,
Where I with my brothers and sisters were packed in our winter coats,
Like marshmallows in a sardine can,
As dad drove down the highway to our home,
Ten miles from the farm.

As days and weeks turned into months and years,
The memory of that bat became much like a dream.
I remembered receiving it, I'm certain,
A gift from my Uncle Geoff.
But I could not remember where that bat had gone.

On trips out to the farm,
I looked in all the nooks and crannies,
Behind the rusty, green refrigerator in the breezeway
Where my grandmother kept a bag of bite-sized Snicker bars,
And dozens of dozens of eggs,
Stacked in cardboard and styrofoam cartons.

On my grandfather's tool bench,
Littered with darkened metal objects
Caked with grease dust,
There on the south end of the two-car garage
Where momma cats delivered their litters in the rafters.

Within a couple years,
Uncle Jim died in January,
An aneurism in the stomach.
He'd been hauling wood that morning, they said.

At the visitation,
I peered over the steel-grey casket
At his white, pointy nose,
And the long slits of his eyelids,
Pulled unnaturally shut.
Thin, purple lips,
Cold, icy skin,
Fingers that would not bend,
And the heavy aroma of Maybeline and roses.

I'd only seen one dead body before.
Jim's wife Helen had died a few years earlier.
I remember the coffin
And the hushed rooms of that tall, white mansion,
The incandescent lights,
The cold January air
Into which both their spirits silently slipped.

But I had been younger,
And did not comprehend death at Helen's passing
As well as I did at the end of my ninth year,
When Jim fell into the ground.

The auction followed,
And I watched strangers bid on wagonloads of dishes, tools, and knick knacks,
Jim and Helen had collected over eighty years.
Scythes, ratchets, hammers,
Glass elephants and corn dishes,
Leather straps, a lava lamp,
Pocket knives, old boots,
Quilts, pans, and silverware.

I ate a corndog slathered in mustard
My aunt bought me from a vendor
Who had set up his wagon
To feed swarthing crowds of avaricious faces
Who circled the wagons like hyenas,
Picking through the antiqued objects
Jim and Helen had left behind,
Estimating their value,
Whispering to their partners,
Summoning courage to part with the paper,
Collected from bank windows,
Folded crisply in their billfolds.

The farm became a place of memory,
As in my youthful mind began
A separation,
A first rip in clothes that were purchased off the rack
A twilight at the end of a beginning.
These were not things, but belongings:
Objects with attachments.
A wrench that was once his, now another's.
A dress that she wore to an anniversary,
Now pieced in a quilt that covers the bed of a couple,
Newlywed in Tulsa,
A gift from Aunt Marge,
A collector,
Repossessor.

These objects were Jim's,
And Helen's,
But, mine, too.
And my brothers' and sisters',
My mother's and father's,
My aunts's and uncle's,
My cousins'.

Our attachments were auctioned to the highest bidders,
These things,
No longer objects to construct a scaffolding of presence,
Here, Now,
But
There, Then.

My grandfather,
Bib overalls, a green Pioneer ballcap.
My grandmother,
Saladmaster pots and pans.

My search for that old bat became
A mapping of memory.
How many boxes explored in the attic?
Old letters bearing two-cent stamps,
A deed, scribed in fountain pen,
Ghosts, now, in my mind,
So many haunting the recesses,
Unwilling to be conjured.

Years later,
As I braved the Angus in the pasture,
Avoiding pies of fresh manure,
To explore the old, rusted tractors, threshers, and discs
Set outside the weathered, grey barn
Where the steers escaped the heat of the summer sun,
Flicking green-headed horseflies with their wiry, tufted tails,
I spied that Louisville Slugger,
Lying in the elevator of an old corn contraption
Where I must have laid it
Five Christmases past.

Grey and weathered from sun, rain, and snow,
I took it once more into my hand,
The handle rough and split,
The luster long gone.
But I took it to grandma,
Who revitalized it with brown stain and a coat of varnish,
And painted the letters B. A. on the bottom
In acrylic red

I kept it in my bedroom for a year or two,
Hanging from rack beside my bed.
Still, today, the bat is gone.
My brother borrowed it to hit baseballs with his friends,
And it was quickly broken,
Unable to perform as a bat,
Left outside too long.
It was not for hitting balls,
But for holding memories of that old farm,
My Uncle Jim,
And my father.

Which memory do I cherish more?
The ecstatic delight of an eight-year-old opening a gift on Christmas Day, 1985?
The hopeful rediscovery of prodigal object, lost and found?
The agony of disattachment, treasure lost in dust and ashes?

With what invisible weight does that bat bear down on me now?
Where are the people who hold these objects?
When will I find them again?

Saturday, July 11, 2015

Lake Sara

If you want to remember what it feels like to be alive,
Take a deep breath,
And concentrate on the feeling in your chest,
Just beneath the sternum.

After YHWH formed Adam from the red clay,
He breathed a hole into his inside, and said,
"I will dwell within you,
"Until I do not."

A breath
Is more pleasant than chocolate,
More satisfying than sex,
More refreshing than a cold drink of water.

A year ago today
I slipped with my friend Chad down the algae-slicked boat ramp
Into the warm water,
Where we floated like newborn babes.

Baptized again and again,
Taking deep gasps of air at the surface,
Blowing our cheeks out in big, bulging bubbles
As we floated, full-clothed, in the warm waters of July.

The Supermoon came up from the East,
And I cried in your lap for the first time.
How many breaths have we breathed since then, Baby,
In this new life?

Close your eyes.
Breathe deep through your nostrils,
Go deeper than you dare to dive.
Feel God in the bottom of your bloated belly.

Beneath the still water,
Hear the beating heart.
Give thanks to the Lord
Who dwells in breath and dirt.

Tuesday, July 7, 2015

Richard Brautigan Is Dead

Richard Brautigan is dead, but I
Am not, but I will be before too long.
'Cuz all of us will die when life is done--
For us, at least, not "Life" in general.

I read some of his stories in a class
I took when I was nineteen years of age.
Now, nineteen years have passed, and here I sit,
Writing this poem on the Internet.

See, here's the lesson that you're supposed to learn
Here at the versa in this sonnet form:
The man is dead, but still we know he lived

Because he wrote a story. Goes like this:
I feel. I see. I love. I want. I need.
I had. I lost. I lived. I loved. I died.

Friday, July 3, 2015

Instruments

A song dwells in a singer's lungs,
Not in notes or staff.
It moves through hands that beat on drums,
Never lives until it's sung.

It plucks the finger, not the string.
It blows through breath, not brass,
It rides through wind on angels' wings,
Can pass through hearts like glass.

It's limited by the measure and rhyme
That lives inside a space
In the moment between the pluck of steel string
And the slap of the upright wood bass.

A song's in the singer, not in the song.
It's held in guitar player's hand.
It kisses a room, as a bride does her groom.
It pumps through the hearts of the band.

A song that's recorded is trapped like a beast
That's held in a cage at a zoo.
Unleash it--and run--or on us he'll feast,
And we will become the song, too.

A song doesn't live in plastic or page.
It dwells in the singer who sings.
It's beauty not measured by the bars of its cage
But how to its freedom it springs.